(Música usada para a propaganda da Gisele Bündchen) Intro: | | | | You are so good to me and your love is the ispiration that i need Writting songs for you is the way i find to thank you for this Face to music, dance to the music Now i hear the sound of music and you kisses take it closer to perfection You are beyond the imagination you were the dream team you are so good to me you are so good to me and i hope to give you back the piece of light that you give to me and it feels like bossa nova by Jobim The solution to my dilema you are my girl from Ipanema ispiration for my samba in slow motion you are the top, you are my devotion my slow motion bossa nova dream | | (instrumental) | | Face to music, dance to the music Now i hear the sound of music and you kisses take it closer to perfection You are beyond the imagination you were the dream team you are so good to me you are so good to me and i hope to give you back the piece of light that you give to me and it feels like bossa nova by Jobim The solution to my dilema you are my girl from Ipanema ispiration for my samba in slow motion you are the top, you are my devotion my slow motion bossa nova dream The solution to my dilema you are my girl from Ipanema ispiration for my samba in slow motion you are the top, you are my devotion my slow motion bossa nova dream |: :| (repete esses acordes até o final, instrumental) (instrumental) 20 compassos em fade out. _________________________________________________________________ | | |*OBS: os primeiros 4 compassos têm apenas cordas e sopro, | | no 5° compasso entra a bateria e logo o contrabaixo. | | Ja no 6° compasso entra a intro. As barras "| |" dividem | | os compassos. | | Outro aspecto importante é a divisão harmônica, na | | parte do a divisão se da assim: | | | | | | Ou seja, o fica por 1 compasso e meio, assim | | o fica apenas 1/2 compasso servindo como passagem | | devolta ao pertencente à tonalidade da música. | | Quando aparece o , ele ocupa o lugar do meio compasso | | do . | | Na introdução e no meio instrumental, a divisão harmônica | | é comum, um compasso para cada acorde. | | Os acordes compartem um compasso, | | sempre que aparecerem. | |_________________________________________________________________| Tirei também uma parte pequena do contrabaixo que eu gostei da melodia, é simples, mais vale a pena escutar bem (aos 2:53s da música). G|-5-4---0-4-2-0---0-----| D|---------------2-------| A|-------------------3---| E|-----------------------| *Qualquer acotação ou correção na cifra, porfavor, enviem a nova versão. *Tirei a música rapidinho agora porque não achava em nenhum lugar *Quer coisa me escrevam ae, meu email: [email protected] _________________________________________ |* *| |Transcripted by Burton_vagal(r) - BRASIL | |*_______________________________________*| _______________________________________________________ Contribuição: Wolfgang Ricardo Rowell Junior([email protected])
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Top songs from Celso Fonseca e Ronaldo Bastos
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